'AI is Soulless': Hollywood Film Workers Strike & Emerging Perceptions of Generative Cinema
New peer-reviewed article in ACM TOCHI!
I’m excited to share my latest peer-reviewed publication in the Association for Computing Machinery (ACM) Transactions on Computer-Human Interaction (TOCHI) journal! This study explores a timely and contentious topic: the 2023 Hollywood film workers’ strikes and growing tensions around AI in media industries.
‘AI is Soulless’: Hollywood Film Workers Strike and Emerging Perceptions of Generative Cinema
Why were Hollywood film workers striking or supporting strikes against artificial intelligence (AI) in 2023? To investigate this question, we conduct participant observation on the picket line and interview 15 film workers, including 12 union members from SAG-AFTRA, WGA, and IATSE, as well as 3 non-unionized workers, across roles. From screenwriting to acting, our interlocutors described how studio use of AI might exacerbate wage squeeze, estrangement from embodied co-creation, rush for results, and inauthentic creativity. We find that film worker resistance to emergent and projected uses of AI echoes earlier technical developments, such as the incorporation of sound, color, HD, DVD, and CGI. These innovations initially sparked anxieties about the demise of cinema, but ultimately created new aesthetic possibilities and professions. We end with a reflection on core concerns for worker engagement, including topics of prophesy and the “soul” of sociotechnical labor.
This spring, I’ll be presenting the article in Yokohama, Japan at the ACM CHI Conference on Human Factors in Computing Systems. You can read the full article here: https://dl.acm.org/doi/10.1145/3716135
This research feels especially urgent as AI continues to reshape media industries. Do you think AI threatens the soul of cinema, or might it open up new artistic frontiers?